Wednesday, May 25, 2016

May 26- Begin poetry unit

You will be focusing on one poet/singer and looking deep into two
of his/her poems.
PART ONE
o   Find a poet/singer. Take a look at the poet’s poems. Are they interesting? Do you think you’ll like them?
o   Find some information on the poet/singer. Give me a brief biography 150-200 words on their life. START A GOOGLE DOC (share it with me) AND PUT THIS INFORMATION THERE.
o   Find out what other people have said about this poet/singer or his/her poems/songs. PUT IN THE GOOGLE DOC.
PART TWO
Now find TWO of his/her poems that resonate with you.
For EACH poem:
o   Copy and paste the poem into a Wordle (goto wordle.net).  Show Schachter when finished.
o   Now, copy the poem into your google doc.
o   Find an image from the computer that you could use as a visual that connects to the theme of the poem and include it on the google doc.
o   EXPLAIN the connection between the image and the poem in the google doc.
o   Print out a copy of each poem.
PART THREE
For EACH poem:
o   Read each of the poems multiple times.
o   Underline any words or phrases that you don’t understand. Discuss the meanings of these words with other students and the dictionary until you feel like you completely understand both poems.  If you need more assistance, ask Schachter.
o   Write a 200 word reflection on the meaning of each poem. I'm not looking for a summary, I'm looking for what the poem's hidden (or not so hidden) meaning is.
PART FOUR
For EACH poem:
o   Find any and all of the poetry terms that we studied in class. Circle and label where they occur in the poem-you do not need to point out the alliteration in a rhyming poem every time it happens-once is good enough.
o   Complete the poetry questions worksheet.
o   Read aloud your poem to two other people and fill out the ½ sheet questionnaire.

o   Poetry art-Draw your poem. Make sure to fully show the poem visually. Then fully explain your drawing.

Tuesday, May 24, 2016

Independent Homework reflection #4

A Reflection might include:

·  What has been working this week
·  What has been frustrating
·  What problems I foresee in the next couple of weeks
·  How I might deal with those problems
·  Pictures of the progress I’m making on a project
·  Links to websites that I’m researching along with thoughts on what I’ve found 

Each reflection should be between 50-100 words.

May 24- Poetry terms scavenger hunt

We worked on the following in class:

Name: ____________________________

Poetry scavenger hunt

For each term, give its definition-Use pages in 722-741 in Adventures in Reading

Alliteration


Personification


Onomatopoeia


Repetition


Simile


Metaphor


Free verse


Imagery


Symbol

Once finished, show that you really understand each of these terms by correctly using each one. This may be nine separate lines or, for extra credit, write a complete poem using these types of poetry terms. WRITE DOWN THE TERM BEING USED NEXT TO EACH LINE.
To make this easier-write the lines about a topic that is interesting/emotional to you. Like the inside of an antelope.


________________________________________
We also did an in-class assignment which would be difficult to place on the blog. 
If you want, you can do extra credit to make up for this (see previous posts for extra credit ideas).

Monday, May 16, 2016

May 10- Line-up questions

We answered the following questions and then discussed them in class:

1.      My favorite character was…because…
My least favorite character was…because…
2.     My favorite part was…because…

3.     It made me think/realize that…because…

4.     If I were…I would/wouldn’t have…because

5.     The play was similar to …(something else you have seen or read) because…

6.     I admire…because…

7.     I think the title is a good/bad choice because…

8.     If I could be any character in the play, I would be…because…

9.     I was surprised when…because…

10.  I liked the way the author did…because…


Sunday, May 15, 2016

Extra Credit

Do any of the following essay questions for extra credit.
The more you write, the more thoughtfully and competently you write, the more points you will get.

  1. 1
    The American dream means something different to each character in A Raisin in the Sun. Discuss these differences and how they conflict with one another.
  2. 2
    Lorraine Hansberry is often viewed as a visionary because of her ability to predict many of the relevant issues to the African-American community today. Identify some of these issues and explain how they are the same or different from how Hansberry portrayed them.
  3. 3
    Within the Younger household, there are three generations of women. Compare and contrast how the characters each form their unique identities.
  4. 4
    Critical reception to A Raisin in the Sun was not all positive when the play first came out. One of the major points of contention was that the play was pro-integration. Some segments of the African-American community felt that integration actually was not the end-all answer to America's race problem. Discuss the ways in which the idea of integration is presented throughout the play. Is Hansberry's presentation one-sided, or does she raise issues relevant to both viewpoints?
  5. 5
    Although Travis does not have many lines, his character is significant. Discuss Travis' importance to some of the prominent themes throughout the play.
  6. 6
    Discuss how the Youngers' environment impacts their life.
  7. 7
    In 1959, abortion was a taboo topic. Discuss how the issue is presented in the play, and how the audience might have reacted.
  8. 8
    How do you think Lorraine Hansberry's own life influenced A Raisin in the Sun?
  9. 9
    Many critics assert that the art of Hansberry's play is that it is less about race than about humanity. Do you think the play would be equally compelling if the actors were white, or some other minority group? Explain why or why not.
  10. 10
    Even though Walter Sr. never appears in the play, he is an important character. Discuss his significance.

Thursday, May 12, 2016

May 12- Finish play and Dream Deferred

We finished the play and then worked on the following worksheet:

What happens to a dream deferred?
Does it dry up
Like a raisin in the sun?
Or fester like a sore--
And then run?
Does it stink like rotten meat?
Or crust and sugar over--
Like a syrupy sweet?

Maybe it just sags
Like a heavy load.

Or does it explode?

            -Langston Hughes


1.  Choose four of Langston Hughes’ similes and draw them on the back of this sheet.

For each of the following characters, write what their dream is, which simile would most likely be true if their dream was deferred and why you think this.

Walter







Lena








Beneatha

Tuesday, May 10, 2016

May 6

Choose parts:  Narrator 1, Narrator 2, Ruth, Beneatha, Walter, Lindner
From 156 (fade out) to 167 GENERAL SCENE Answer questions 53-57

Choose parts:  Narrator 1, Lena, Beneatha, Walter, Ruth, Bobo
Read to 179 FADE OUT
Answer questions 58-65

Monday, May 2, 2016

May 2

Independent Reading

I’ll read to 156 FADE OUT
After I read the part where the family is running through the house, students describe/draw the following: Imagine you just bought the perfect house. What makes it perfect? A certain room, the yard, the location? Describe/draw what makes it perfect-3- 5minutes

Students answer, what upsets Walter?
Now describe/draw something that makes your “perfect” house very undesirable.

A white man from Clybourne park shows up their house... what's he want?
Choose parts:  Narrator 1, Narrator 2, Ruth, Beneatha, Walter, Lindner

Read to 167 GENERAL SCENE Answer questions 53-57

Thursday, April 28, 2016

April 28- Young, Gifted, and... reflection

Reflection 



Thank you for reading my essay. The title of my project is “Young, Gifted, and…” I’ve spent a lot of time thinking about the factors that have contributed to who I am and my place in the world. One of those factors is you.

Please feel free to share any thoughts you have about either this project or your own journey towards who you are.

























____________________________
Signature


Tuesday, April 26, 2016

April 26- Finish Young, Gifted and ...

We are going to spend today and Thursday polishing up and printing out our Young, Gifted, and ... essays. Here is the rubric for the essays:

What your Young, Gifted, and Black essay should look like:

1.   Create a cover page: Possible title- Young, Gifted and …
2.   Each chapter gets its own page
3.   The chapters will be placed in order from 1-8 (NOT in the order we completed them)
4.   Each page will also be decorated with an image/design/personal image that helps make the page and/or the message of the page stand out


Remember- we will be printing these out, binding them, and sharing them with a loved one!


Wednesday, April 20, 2016

April 20- Young, Gifted and #1

Read chapter one of Young, Gifted and Black-


Choose parts Narrator 1, Ruth, Beneatha, George, Walter, Lena, Travis
Read from 110 to 128 to DISSOLVE MONTAGE TO: Answer questions from 38-44


Read chapter one of Young, Gifted and Black-explain last section of writing...

Independent Reading


Choose parts Narrator 1, Ruth, Beneatha, George, Walter, Lena, Travis
Read from 110 to 128 to DISSOLVE MONTAGE TO: Answer questions from 38-44

Young, Gifted and #1 Why it is important to write about me…

This will be the introduction to the packet that we will print out and bind. AND you will be sharing this with someone you care about.

What do you have to share?
How might you convince someone that the words you write have importance and meaning?

Tuesday, April 19, 2016

April 18- Young, Gifted, #8

Choose parts:  narrator 1, Lena, Travis, Ruth, Walter, Beneatha
Read from 96 "she exits" to 110 to FADE OUT
Answer 32-37

#8 Young, Gifted and ______________


  For this section, I want you to fill in the blank. I already know you are Young and Gifted, but what is another part to who you are? This could be your race, your gender, your personality style, the essence of WHO YOU ARE 

Wednesday, April 13, 2016

April 13- Young, Gifted and Black #7

#7 My ___________________

Fill this blank in with someone in your life…father, mother, siblings, grandparents, aunt, friend, coach, teacher…

This person is extraordinary in many ways. Write about how this person is extraordinary. What does he/she do? Think? How does he/she act?

Explain how/why you look up to and respect this person.


Also: We read the following in Raisin in the Sun:

Read to page 84 FADE OUT independently.  At the end, Walter says, “I say it’s a deal!”  But we know that Lena isn’t planning on giving her money to him.  Write down what you think is going to happen.  Then share with the rest of the group.

Choose parts:  Narrator 1, Narrator 2, Travis, Lena, Beneatha, Ruth, Asagai
Read to 96 "she exits". Answer questions 28-31

April 7: Young, Gifted and Black #4

Use these questions to help write your response:

#4: How birth order affected me.

Discuss the relationship you had with your siblings or their relationship with each other.
How do you think your relationship with your siblings affected who you are as a person?
What were some things you did with your siblings?
What lessons did you learn from your siblings?
If you were an only child, discuss how being an only child has affected your: personality, desire for relationships with others, your relationship with your parents.

Monday, April 11, 2016

April 11- Young Gifted and Black #6

We completed #6 in Young, Gifted and Black

What were some memories of you and your parents/family? Family reunions, Get-togethers, traditions.
Think of some times when you were with your mom/dad/guardians and they taught you something about life.

Fond memories of being with your family (could be extended family as well).






and also went over the following part in Raisin in the Sun:

Choose parts:  Narrator 1, Lena, Ruth, Beneatha
Read to page 63-80 DISSOLVE TO

Answer questions 23-27

Thursday, March 31, 2016

March 31- chapter 3 of Young, Gifted and Black

We annotated and discussed chapter 3 of Young, Gifted and Black. We also wrote another response to the essay.

In addition, students completed the following:

Read from 43 to end of 46.
 
Write a 3-part inner monologue.  For each of the three parts, write 2-3 sentences.

  • The first part is when Walter is looking in the mirror (p. 44).  Write down what he is thinking to himself as he readies himself for work. 
  • The second part is when he puts down the newspaper with restless irritation.  Write down what he is thinking.
  • The third part is as the other chauffeur walks away and Walter watches him go.  Write down what he is thinking. 

Tuesday, March 29, 2016

March 29- Chapter two of Young, Gifted and Black

We read the second chapter of Young, Gifted and Black and annotated it.

Then students worked on their second entry into their own Young, gifted and ... They should be finished with chapter five and two and both should be typed into a Google Doc.

Thursday, March 17, 2016

March 17- Young, Gifted and Black

I explained our final project to class- they will write an essay about their own lives using the format from Lorainne Hansberry's essay, "Young, Gifted and Black." Today we focused on Chapter 5.

Lorraine Hansberry from To Be Young, Gifted and Black

For each section, annotate it the following way:
·       C: parts that were confusing
·       E:Parts that explain who Hansberry was
·       R: Parts that remind you of your own life/experiences

Chicago: South Side Summers
Chapter 1.
For some time now -- I think since I
was a child--I have been possessed of the
desire to put down the stuff of my life.
That is a commonplace impulse,
apparently, among persons of massive
self-interest; sooner or later we all do it.
And, I am quite certain, there is only one
internal quarrel: how much of the truth to
tell? How much, how much, how much! It
is brutal in sober uncompromising
moments, to reflect on the comedy of
concern we all enact when it comes to our
precious images!
Even so, when such vanity as
propels the writing of such memoirs is
examined, certainly one would wish at
least to have some boast of social
serviceability on one’s side. I shall set
down in these pages what shall seem to
me to be the truth of my life and
essences... which are to be found, first of
all, on the South side of Chicago, where I
was born. . . .

Chapter 2.
All travelers to my city should ride
the elevated trains that race along the
back ways of Chicago. The lives you can
look into!
I think you could find the tempo of
my people on their back porches. The
honesty of their living is there in the
shabbiness. Scrubbed porches that sag
and look their danger. Dirty gray wood
steps. And always a line of white and pink
clothes scrubbed so well, waving in the
dirty wind of the city.
My people are poor. And they are
tired. And they are determined to live.
Our South side is a place apart:
each piece of our living is a protest.

Chapter 3.
I was born May 19, 1930, the last of
four children.
Of love and my parents there is little
to be written: their relationship to their
children was utilitarian. We were fed and
housed and dressed and outfitted with
more cash than our associates and that
was all. We were also vaguely taught
certain vague absolutes: that we were
better than no one but infinitely superior to
everyone; that we were the products of the
proudest and most mistreated of the races
of man; that there was nothing enormously
difficult about life; that one succeeded as a
matter of course.
Life was not a struggle--it was
something that one did. One won an
argument because, if facts gave out, one
invented them -- with color! The only
sinful people in the world were dull people.
And, above all, there were two things
which were never to be betrayed: the
family and the race. But of love, there was
nothing ever said.
If we were sick, we were sternly,
impersonally, and carefully nursed and
doctored back to health. Fevers,
toothaches were attended to with urgency
and importance; one always felt important
in my family. Mother came with a tray to
your room with the soup and Vick’s salve
or gave the enemas in a steaming
bathroom. But we were not fondled, any
of us-- head held to breast, fingers about
that head-- until we were grown, all of us,
and my father died.
At his funeral I at last, in my
memory, saw my mother hold her sons
that way, and for the first time in her life
my sister held me in her arms I think. We
were not a loving people: we were
passionate in our hostilities and affinities,
but the caress embarrassed us.
We have changed little. . . .

Chapter 4.
Seven years separated the nearest
of my brothers and sisters and myself; I
wear, I am sure, the earmarks of that
familial station to this day. Little has been
written or thought to my knowledge about
children who occupy that place: the last
born separated by an uncommon length of
time from the next youngest. I suspect we
are probably a race apart.
The last born is an object toy which
comes in years when brothers and sisters
who are seven, ten, twelve years older are
old enough to appreciate it rather than
poke out its eyes. They do not mind
diapering you the first two years, but by
the time you are five you are a pest that
has to be attended to in the washroom,
taken to the movies and “sat with” at night.
You are not a person--you are a nuisance
who is not particular fun any more.
Consequently, you swiftly learn to play
alone. . . .

Chapter 5.
My childhood South side summers
were the ordinary city kind, full of the
street games which other rememberers
have turned into fine ballets these days,
and rhymes that anticipated what some
people insist on calling modern poetry:
Oh, Mary Mack, Mack, Mack
with the silver buttons, buttons, buttons
All down her back, back, back
She asked her mother, mother, mother
For fifteen cents, cents, cents
To see the elephant, elephant, elephant
Jump the fence, fence, fence
Well, he jumped so high, high, high
Til he touched the sky, sky, sky
And he didn’t come back, back, back
Til the Fourth of Ju-ly, ly, ly!
I remember skinny little South side
bodies by the fives and tens of us panting
the delicious hours away:
“May I?”
And the voice of authority: “Yes,
you may --you may take one giant step.”
One drew in all one’s breath and
tightened one’s fist and pulled the small
body against the heavens, stretching,
straining all the muscles in the legs to
make - one giant step.
It is a long time. One forgets the
reason for the game. (For children’s
games are always explicit in their reasons
for being. To play is to win something. Or
not to be “it.” Or to be high pointer, or
outdoer or, sometimes--just the winner.
But after a time one forgets.)
Why was it important to take a
small step, a teeny step, or the most
desired of all-- one GIANT step?
A giant step to where?

Chapter 6.
Evenings were spent mainly on the
back porches where screen doors
slammed in the darkness with those really
very special summertime sounds and,
sometimes, when Chicago nights got too
steamy, the whole family got into the car
and went to the park and slept out in the
open on blankets. Those were, of course,
the best times of all because the grownups
were invariably reminded of having been
children in the South and told the best
stories then. And it was also cool and
sweet to be on the grass and there was
usually the scent of freshly cut lemons or
melons in the air. Daddy would lie on his
back, as fathers must, and explain about
how men thought the stars above us came
to be and how far away they were.
I never did learn to believe that
anything could be as far away as that.
Especially the stars. . . .

Chapter 7.
The man that I remember was an
educated soul, though I think now, looking
back, that it was as much a matter of the
physical bearing of my father as his
command of information and of thought
that left that impression upon me. I know
nothing of the “assurance of kings” and
will not use that metaphor on account of it.
Suffice it to say that my father’s enduring
image in my mind is that of a man whom
kings might have imitated and properly
created their own flattering descriptions of.
A man who always seemed to be doing
something brilliant and/or unusual to such
an extent that to be doing something
brilliant and/or unusual was the way I
assumed fathers behaved.
He digested the laws of the State of
Illinois and put them into little booklets. He
invented complicated pumps and railroad
devices. He could talk at length on
American history and private enterprise (to
which he utterly subscribed). And he
carried his head in such a way that I was
quite certain that there was nothing he
was afraid of. Even writing this, how
profoundly it shocks my inner senses to
realize suddenly that my father, like all
men, must have known fear. . . .

Chapter 8.
April 23,1964
To the Editor,
The New York Times:
With reference to civil disobedience
and the Congress of Racial Equality stallin:
. . . My father was typical of a
generation of Negroes who believed that
the “American way” could successfully be
made to work to democratize the United
States. Thus, twenty-five years ago, he
spent a small personal fortune, his
considerable talents, and many years of
his life fighting, in association with
NAACP1 attorneys, Chicago’s “restrictive
covenants” in one of this nation’s ugliest
ghettos.
That fight also required that our
family occupy the disputed property in a
hellishly hostile “white neighborhood” in
which, literally, howling mobs surrounded
our house. One of their missiles almost
took the life of the then eight year-old
signer of this letter. My memories of this
“correct” way of fighting white supremacy
in America included being spat at, cursed
and pummeled in the daily trek to and from
school. And I also remember my
desperate and courageous mother,
patrolling our house all night with a loaded
German Luger, doggedly guarding her four
children, while my father fought the
respectable part of the battle in the
Washington court.
The fact that my father and the
NAACP “won” a Supreme Court decision,
in a now famous case which bears his
name in the law books, is -- ironically -- the
sort of “progress” our satisfied friends
allude to when they presume to deride the
more radical means of struggle. The cost,
in emotional turmoil, time and money,
which led to my fathers early death as a
permanently embittered exile in a foreign
country when he saw that after such
sacrificial efforts the Negroes of Chicago
were as ghetto-locked as ever, does not
seem to figure in their calculations
That is the reality that I am faced
with when I now read that some Negroes
my own age and younger say that we
must now lie down in the streets, tie up
traffic, do whatever we can -- take to the
hills with guns if necessary--and fight
back. Fatuous people remark these days
on our “bitterness.” Why, of course we are
bitter. The entire situation suggests that
the nation be reminded of the too little
noted final lines of Langston Hughes’
mighty poem:

What happens to a dream deferred?
Does it dry up
Like a raisin in the sun?
Or fester like a sore-
And then run?
Does it stink like rotten meat?
Or crust and sugar over-
Like a syrupy sweet?
Maybe it just sags
Like a heavy load.
Or does it explode?
Sincerely,
      Lorraine Hansberry

Write your own essay:

You will write an eight part paper in which you will write about the same elements of your life as Lorraine Hansberry wrote about hers. For the eighth section, you should write about something for which you feel great passion, as Hansberry felt about her ethnicity.

Each part should be 150-200 words. We will be typing these out and also adding an image/design/personal picture to it.

You will write the sections in this order: 5, 2, 3, 4, 6, 7, 8, 1.

1. Why is it important to write about me.
2. The place where I grew up and how it influenced me.
3. How members of my family relate to each other emotionally.
4. How birth order affected me.
5. Games I played as a child.
6. Things we did as a family.
7. My _____________.
8. To be young, gifted, and what?

You will be sharing this writing with a parent/loved one.